The group effort, though, wasn’t enough to prevent a climax that will have moviegoers wondering if they accidentally wandered into the theater for the latest “Transformers” film.
#G force juarez movie
The movie credits Yeatman with the film’s story and five writers with the screenplay. And when will effects wizards realize the most important feature of an animated creature isn’t the pixels of its fur, but the liveliness of its eyes? “G-Force” is directed by Hoyt Yeatman, a longtime visual effects maestro on Bruckheimer’s films, including “Armageddon” and “Con Air.” The 3-D effects are occassionally impressive, as when the fly buzzes over your shoulder.īut an opportunity was missed to exploit the 3-D technology from the perspective of hamster-sized spies. Depending on your perspective, that means either a more interesting viewing experience or simply a more expensive one. Like a number of Hollywood’s offerings this summer, “G-Force” is in 3-D. Blaster shouts tired urban slang like “Holla!” and “Pimp my ride!” Darwin, the leader, remains a blank slate, but at least is animated in such a way to mimic how Rockwell speaks out of the side of a smirk. Juarez, we are told, is an attractive guinea pig a propensity to flirt is her only characteristic. None in the G-Force come through much as characters.
If “G-Force” has a cousin, it isn’t “Ratatouille” (not by a long shot), but “Alvin and the Chipmunks,” the 2007 film that also married live action with furry, animated cliches. But you don’t come to see “G-Force” for the intrigue you come for the talking guinea pigs.
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